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The
image is not self-contained, it is part of an organic family and mystery is its food. Constant distraction: ideas need to be included, added, reconsidered. See too much, do too little... |
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Born
in 1952, I grew up as a white South African looking for paths of resistance.
My training in Fine Art & Printmaking (1971-75) in S.A. and the U.K. was formative
in the development of a critical / satirical approach, and encouraged my interest
in books and other publications as effective vehicles for the artist's statement.
This
focus runs parallel with my work at the School of Applied Art, East London,
South Africa. We have developed a Fine Art course that is centered around
a narrative and storytelling theme. This direction has evolved in response
to our geographical context: the Eastern Cape Province is rich in the storytelling
tradition. Our aim is to explore this tradition so that students can, through
their art, begin to tell personal and contemporary stories with which they
identify. Senior Lecturer in Fine Art, School of Applied Art, East London, South Africa 1973: National Diploma (Fine Art): Natal Technikon. (SA) 1775: Advanced Certificate (Printmaking): College of Design, Croydon, UK. 1983: National Higher Diploma (Fine Art): Natal Technikon. (SA) 1997: M. A. (Fine Art): University of Stellenbosch. (SA) |
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| start with pictures | |||||||||||